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■Let s Spend the Cash Together (Recorded Service RS01-04) (4LP) Live at Exhibition Stadium, Toronto, Ontario, Canada, September 4, 1989 + August 12, 1989 ■Wheeler-Dealer (Recorded Service) Live at Exhibition Stadium, Toronto, Ontario, Canada, September 4, 1989 ■Love You Live Los Angeles (Starlight Record SL-87037) (2CDR transferred from 3LP) Live at Coliseum, Los Angeles, California, October 18, 1989 ■Atlantic City 89 (The Swingin Pig Records TSP-075-3) (3LP) (3CD transferred from tape) Live at Convention Center, Atlantic City, New Jersey, December 19, 1989 ■Steel Wheels Japan Tour (Cation J1990) (2LP) Live at Tokyo Dome, Tokyo, Japan, February 26, 1990 ■The Steel Wheels Performance (Star Records STAR-BOX1) (3LP) (2CD transferred from tape) Live at Tokyo Dome, Tokyo, Japan, February 26, 1990 ■Live in Holland (E102621A1) (2CD transferred from 2LP) Live at Feyenoord-Stadion, Rotterdam, Netherlands, May 18, 1990 ■Europe 90 Remember These Days (World Of Music) (1LP) Live at Niedersachsenstadion, Honnover, West Germany, May 24 More ■Welcome To The Urban Jungle (Bandit Records 005) (2LP) Live at Wald Stadium, Frankfult, West Germany, May 27, 1990 ■Cologne 90 Remember These Days (World Of Music WOM05-06) (2LP) Live at Mungersdorfer, Cologne, West Germany, May 30, 1990 ■Urban Jungle Best / Berlin 1990 (Records Servis LC 1289) (1LP) Live at West Berlin, Germany, June 6, 1990 ■1990 Nervous Breakdown (King Snake Records) (1LP) Live at Calderon, Madrid, Spain, June 16, 1990 More ■Basel 90 (The Swingin Pig TSP-SB-2) (3LP) (2CD transferred from tape) Live at St. Jakob Stadium, Basel, Switzerland, June 27, 1990 ■Simply the Best (Bud Records RS3890) (2CD transferred from 3LP) Live at Eriksberg Sannegarsorton, Gothenburg, Sweden, August 3, 1990 ■August Children / First Step in the East (Mielke Records) (2LP) Live at Radrennbahn Weissensee, East Berlin, German Democratic Republic, August 13, 1990 BACK / NEXT
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La Iluminacion en Video / Basics of Video Lighting Gedisa Editorial? Graham Swainson? Des Lyver? G. Swainson? GedisaEditorial? GrahamSwainson? DesLyver? G.Swainson? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Entertainment? Substores-UnknownASINs-54? Subjects-Engineering-Telecommunications-Television&Video? Subjects-Entertainment-Movies-Reference? Subjects-Entertainment-Movies-Video-Technical? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Telecommunications-Television&Video? La Piel de La Cultura / Skin of Culture Gedisa Editorial? Derrick De Kerckhove? Derrick De Kerckhove? GedisaEditorial? DerrickDeKerckhove? DerrickDeKerckhove? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Entertainment? Subjects-Engineering-Telecommunications-General? Subjects-Entertainment-PopCulture-General? Subjects-Nonfiction-SocialSciences-PopularCulture? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? 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Subjects-Professional&Technical-Engineering-Civil-Environmental-General Manual Practico de Reciclaje Blume? Works Group Earth? Blume? WorksGroupEarth? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-54? Subjects-Engineering-Civil-Environmental-General Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Civil-Environmental-General ISO 9000 - Reingenieria Humana Gestion 2000? Andres Senlle? Gestion2000? AndresSenlle? ユーズドブック(洋書)-Business&Investing? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Computers&Internet-Networking-DataintheEnterprise-ISO9000? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Production,Operation&Management? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Production,Operation&Management? 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Saber Ambiental - Sustentabilidad, Racionalidad Siglo XXI? Enrique Leff? SigloXXI? EnriqueLeff? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-56? Subjects-Engineering-Civil-Environmental-General Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Manual De Embobinado De Motores Trillas? Luis Lesur? Trillas? LuisLesur? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-56? Subjects-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Nonfiction-Automotive-Repair? Subjects-Professional&Technical-Engineering-Electrical&Electronics-ElectricityPrinciples? Manual De Carpinteria Ii Trillas? Luis Lesur? Trillas? LuisLesur? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Home&Garden? Subjects-Engineering-Civil-Construction-Carpentry? Subjects-Home&Garden-How-to&HomeImprovements-Carpentry? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Civil-Construction-Carpentry? Iluminacion Residencial Trillas? Sunset? Trillas? Sunset? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-56? Subjects-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Electrical&Electronics-ElectricityPrinciples? Manual De Instalaciones De Gas Trillas? Luis Lesur? Trillas? LuisLesur? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Home&Garden? Substores-UnknownASINs-56? Subjects-Engineering-Civil-Construction-General? Subjects-Home&Garden-HomeDesign-Buildings&Construction? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Civil-Construction-General? Subjects-Science-Technology-General&Reference Manual De Plomeria / Plumbing Manual Una guia Paso a Paso / Step by Step Guide (Como Hacer Bien Y Facilmente / How to Do Well and Easily) Luis Lesur? undefined LuisLesur? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Home&Garden? Subjects-Engineering-Civil-Construction-Plumbing? Subjects-Home&Garden-How-to&HomeImprovements-Plumbing&HouseholdAutomation? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Civil-Construction-Plumbing? Instalaciones Electricas/How to Make Electrical Installations Trillas? Luis Lesur? Trillas? LuisLesur? ユーズドブック(洋書)-Engineering Subjects-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Nonfiction-Education-LanguageInstruction-Instruction-Spanish? Subjects-Professional&Technical-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Reference-ForeignLanguages-Instruction-Spanish? Manual de Herreria - Una Guia Paso a Paso Trillas? Luis Lesur? 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Subjects-Science-Technology-General&Reference Manual De Carpinteria I / Carpentry Manual I Una Guia Paso a Paso / A Step by Step Guide (Como Hacer Bien Y Facilmente / How to Do Well and Easily) Trillas? Luis Lesur? Trillas? LuisLesur? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Home&Garden? Subjects-Engineering-Civil-Construction-Carpentry? Subjects-Home&Garden-How-to&HomeImprovements-Carpentry? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Civil-Construction-Carpentry? Materiales y Procedimientos de Construccion Tomo 2 Trillas? Vicente Perez Alama? Trillas? VicentePerezAlama? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-68? Subjects-Engineering-General? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-General Manual De Refrigeracion Y Aire Acondicionado Una Guia a Paso A Paso / A Step-by-Step Guide (Coleccion Como Hacer Bien Y Facilmente/How to Do It Right and Easy Colection) Luis Lesur? undefined LuisLesur? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-Construction-Heating,Ventilation&AirConditioning? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Civil-Construction-Heating,Ventilation&AirConditioning? Tratamientos Termicos De La a a La Z/ Thermal Treatments from a to Z Maria Elena Sanchez? undefined MariaElenaSanchez? ユーズドブック(洋書)-Engineering Subjects-Engineering-General? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-General Autocad 2004 En Un Solo Libro/ in a Single Book Carlos Boque? undefined CarlosBoque? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-AutoCAD? Subjects-Computers&Internet-GraphicDesign-CAD-AutoCAD? Subjects-Engineering-ComputerTechnology-AutoCAD? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-ComputerTechnology-AutoCAD? Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-AutoCAD? Ecologia Compaia Editorial Continental? Eugene P. Odum? CompaiaEditorialContinental? EugeneP.Odum? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-56? Subjects-Engineering-Civil-Environmental-General Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Principios de Refrigeracion Compaia Editorial Continental? Roy J. Dossat? CompaiaEditorialContinental? RoyJ.Dossat? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-68? Subjects-Engineering-Civil-Construction-Heating,Ventilation&AirConditioning? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Civil-Construction-Heating,Ventilation&AirConditioning? Electricidad Basica/basic Electricity Patria Editorial? Van Valkenburgh? PatriaEditorial? VanValkenburgh? ユーズドブック(洋書)-Children sBooks? ユーズドブック(洋書)-Engineering Subjects-Children sBooks-Science,Nature&HowItWorks-Electricity&Electronics? Subjects-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Electrical&Electronics-ElectricityPrinciples? La Maduracion de Los Mercados Compania Editorial Continental? Juan Ginebra Torra? CompaniaEditorialContinental? JuanGinebraTorra? ユーズドブック(洋書)-Engineering Subjects-Business&Investing-Management&Leadership-Production&Operations? 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Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-General Atrevase A Ser Rico Juan Granica S a? Suze Orman? JuanGranicaSa? SuzeOrman? ユーズドブック(洋書)-Engineering Subjects-Business&Investing-Management&Leadership-Management? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Business&Investing-Management&Leadership-TotalQualityManagement? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Production,Operation&Management? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Production,Operation&Management? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-TotalQualityManagement? Interferencias Electromagneticas En Sistemas Electronicos Alfaomega Grupo Editor? Josep Balcells? Francesc Daura? AlfaomegaGrupoEditor? JosepBalcells? FrancescDaura? ユーズドブック(洋書)-Engineering Subjects-Engineering-Electrical&Electronics-Electronics-General? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General? Acoustic Emission Study Of Martensitic Bainitic Transformations In Carbon Steel Delft Univ Pr? Stefanus Van Bohemen? DelftUnivPr? StefanusVanBohemen? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Science? Subjects-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Science-General Ciencia Ambiental y Desarrollo Sostenible I.T.P. Latin America? Jeronimo Cano? Ernesto Enkerlin? I.T.P.LatinAmerica? JeronimoCano? ErnestoEnkerlin? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-56? 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【Tags Hachi Miku W tW】 Original Music title ワンダーランドと羊の歌 English music title Wonderland and the Sheep s Song Romaji music title Wandaarando to Hitsuji no Uta Music Lyrics written, Voice edition by ハチ(Hachi) Music arranged by ハチ(Hachi) Singer(s) 初音ミク (Hatsune Miku) Click here for the original Japanese Lyrics English Lyrics (translated by vgboy / vgperson): A dog gives a look like it s nothing, And pleasantly, though injured, it bow wows Today s a rainy day, A rainy day The girl in tears up on the roof, She licked on a candy apple and looked to the sky Today s a rainy day, A rainy day Holding my lantern, singing out, It s time to get set for tomorrow Now to chant the words of praise C mon, hyneri lanla! Singing with a fish s face, Jumping over the barbed wire Let s play now; let s laugh now! Singing of my silly little love all throughout this town Once the lights are lit, there s nothing there One, two, three, four, five, on the signal, that s when I go to meet you Off to go pick up a brand new light! Even names have been forgotten The payphone goes huff puff Today s still a rainy day, A rainy day Surrounded with cigarette smoke, We choked it down and walked down the back alleys A rainy day, A rainy day When the antenna s up, is it alright? Popping my head out from the shopping district, To the crying child, I chant C mon, hyneri lanla! Full of nothing but goodbyes, Shrink away the self-contradictions Don t cry, don t falter... With this globe spinning in my right hand, Shall I brighten it up with the light in my left? That moment the sky changed its color, Deep in me, you were what remained In the rain shelter of the candy shop, I awaited God s return So, shall we sing? The sheep s song! With that lantern in your hands, Illuminate everything, so like the sun... You sing the song all throughout this town Lighting the light, and it s a wondrous thing One, two, three, four, five, on the signal, that s when I go to meet you Off to go pick up a brand new light! What s at the end of the tunnel? I m stepping forth out of the town One, two, three, four, five, on the signal, that s when I go to meet you Off to go pick up a brand new light! Down on the ground, the dog s acting like it s nothing It s injured, but it s glad, it s glad to bow wow out Today... rainy day, Rainy day Sobbing girl up on the roof, once she s done crying her eyes out, She licked her candy apple and then looked into the sky Today... rainy day, Rainy day I ve got my lantern, I m singing out, Ready for tomorrow, don t have a doubt Hear out my special words, it s time to shout C mon, hyneri lanla! Even with a fish face, sing a song Jump the barbed wire, and head right along Let s play today; let s laugh all day! Singing my little love to everyone all throughout this town And yet once the lights are lit, there s nothing at all One, two, three, four, five, on the signal, that s when I go meet you Now then, I ll be off to find a brand new light! Who knows for sure, maybe their names were forgotten The payphone makes a sound, it s ringing huff puff tones And still... rainy day, Rainy day Cigarettes surround us and we re smogged down, it s smoky, We choked it down, down back alleys, we had to proceed on our way Rainy day, Rainy day When the antenna s up, then it s fine? From the plaza, I come right on out Hey, don t you cry, child, hear me shout C mon, hyneri lanla! Only the goodbyes do they ever say, Self-contradictions, let shrink away Don t cry now, hey, don t stand down, kay? Holding in my right hand this endlessly revolving globe, What say that I brighten it with my left s light? When the sky changed color, I know exactly what I thought Somewhere, deep inside of me, what remained was you In the candy shop, sheltered from the rain, Hoping for God s return, I awaited So, shall we sing it? The sheep s song, understand! With that lantern swinging along with your hands, Like the sun, shine on all things in the land... Now you sing out my song to everyone throughout this town And yes, when the lights are lit, it s such a wondrous thing One, two, three, four, five, on the signal, that s when I go meet you Now then, I ll be off to find a brand new light! Heading out the tunnel, and what awaits us at its end? Finally, it s time to step forth out of the town One, two, three, four, five, on the signal, that s when I go meet you Now then, I ll be off to find a brand new light! Romaji lyrics (transliterated by vgboy / vgperson): Nandemonai you na kao shite inu Go-kigen sokoneteru "bauwau" to Kyou wa reinii dei Reinii dei Yane no ue de shoujo ga nakinurete wa Ringo-ame o namete sora o mita Kyou wa reinii dei Reinii dei Kantera o motte utautatte Ashita no junbi o koshiraete Sanbi no kotoba tonaeyou ze Hora haineriiranra Sakana no men de utautatte Yuushitessen o tobikoete Asobou ze, waraou ze! Kudaranai ai o utau kono machi no naka Akari o tomoseba nanni mo nai 1, 2, 3, 4, 5, hora aizu de kimi ni ai ni ikou Atarashii hi o mukae ni ikou Nante namae kamo wasurete mata Akadenwa ga nari "fuwaufuu" to Kyou mo reinii dei Reinii dei Tabako no kemuri nurechatte mata Musekaeru roji-ura satte aruiteitta Reinii dei Reinii dei Antena tattara mou ii kai? Shoutengai kara kao dashite Naiteru ko ni wa tonaeyou ze Hora haineriiranra "Sayonara" bakkari tsumekonde Niritsuhaihan o shoikonde Nakanaide yurenaide Migi-te no ue de mawaru chikyuugi o Hidari-te no hi de terasou ka Sora no iro ga kawaru sono toki ni Mune ni nokoru no wa kimi no koto Amayadori dagashiya de Kamisama no kaeri o matta Saa, utaou ka hitsuji no uta! Kimi no te no sono kantera ga Subete o terasu taiyou nanda Kimi ga uta o utau kono machi no naka Akari o tomose suteki na koto 1, 2, 3, 4, 5, hora aizu de kimi ni ai ni ikou Atarashii hi o mukae ni ikou Tonneru no saki ni wa nani ga aru? Machi no soto ni fumidashiteiku 1, 2, 3, 4, 5, hora aizu de kimi ni ai ni ikou Atarashii hi o mukae ni ikou
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Colloque 2009 de l Association de la science historique[REKISHIGAKU KENKYUKAI], Section d histoire moderne Dimanche 24 mai 2009, Université Chûô Ordre de l «Empire»et formation de l anarchisme - Imaginaires de résistance et de solidarité. - Argumentaire Pour cette occasion, nous voudrions aborder l étude de l « anarchisme », en reconsidérant le contexte politico-historique dans lequel ont pris forme les idées et les pratiques anarchistes, ainsi que leur développement jusqu’à nos jours. Les mouvements contemporains contre la mondialisation ou contre le néolibéralisme comprennent certains courants revendiquant le nom d’« anarchistes », dans lesquels l’anarchisme est posé en méthode politique ou en vision de résistance et de solidarité. L « anarchisme » s interprète ainsi comme une pratique permettant la solidarité entre diverses formes de résistances qui dépassent le cadre de l Etat, tout en préservant les différences de chacune, autrement dit comme un mouvement de «true globalisation» ( David Graever ). L’urgence actuelle d’un renouvellement des études historiques et critiques concernant le néolibéralisme et la mondialisation doit également entraîner un réexamen historique de l anarchisme et de son actualité en tant que force de résistance contre l’un et l’autre. Or, si la « Science historique de l’après-guerre »a accumulé beaucoup d études sur l anarchisme, on ne peut nier que ces travaux se sont limités à envisager le cadre du territoire ou de l Etat-nation. Pourtant, en réponse aux problèmes du néolibéralisme et de la mondialisation, les travaux récents sur l anarchisme se sont développés dans un cadre critique renouvelé par rapport aux études précédentes. Il s’agit en effet de mettre au clair que l anarchisme est né dans une situation historique où l’on peut voir les racines de la mondialisation contemporaine et que, en tant quemouvement accompagné de résistance, il a accompagné l expansion de l ordre gouvernant de l’« empire », dépassant les frontières des Etats-nations. Ainsi Benedict Anderson esquisse-t-il une histoire de l anarchisme tel qu’il s’est formé au cours de l’«early globalization» des années 1880, marquée par l expansion de l impérialisme et des réseaux mondiaux. Des années 1880 à la révolution russe, l anarchisme avait réussi – mieux que le marxisme – à former dans le monde entier des réseaux traversant les frontières des Etats-nations et des territoires, connaissant un essor remarquable. Certainement, la combinaison du « socialisme » et de l « Etat » (qu’on eut ensuite tendance à considérer comme nécessaire) finit par affaiblir le mouvement anarchiste et par offusquer la signifiaction historique même de ce dernier. Cependant l anarchisme apparut et se développa au sein d’un processus historique mondial qui continue jusqu à nos jours. Nous pensons donc qu’un réexamen de l anarchisme s’impose pour éclaircir la forme historique de l ordre « impérial » et pour pouvoir penser, du point de vue interne de l’histoire, les questions actuelles de la résistance trans-étatique. Les enjeux ou les tâches que nous proposerons sont de deux ordres 1. Les réseaux trans-territoriaux d’« anarchistes » Certains anarchistes organisèrent des mouvements traversant l’ensemble du territoire européen en employant les réseaux rendus possibles par l early globalization. Cette expansion de l’anarchisme marcha parallèlement à la résistance des nationalistes contre le colonialisme. Ainsi, à partir des années 1880, se succédèrent de nombreux attentats, dont au début la plupart étaient le fait des anarchistes, avant que les nationalistes européens, puis ceux des colonies ne prennent le relais. Il y a là un paradoxe apparent. Toutefois c’est justement en unissant la dimension nationale à un processus qui dépassait celle-ci (toutes deux résistant également à l’impérialisme) que les anarchistes purent former leurs immenses réseaux de résistance. Il nous faut attester de cette réalité historique. 2. Relations avec l ordre de l empire et d autres mouvements de résistance les transformations de l « anarchisme » C est dans cette perspective historique que l on peut éclaircir le sens de la pensée anarchiste. Par ces réseaux, l anarchisme se transforma en réponse adaptée aux contextes politiques et culturels de chacun des territoires où il évolutait. Ces transformations nombreuses, au travers d’actions de résistances à l impérialisme et au colonialisme, maintenaient une relation ambiguë ― à la fois d’accompagnement et de résistance – avec l’ordre de l’empire. Autrement dit, les discours et les pratiques de ceux qui se déclaraient « anarchistes » entraient dans une relation d’hostilité, de solidarité ou d’appropriation avec d’autres pratiques discursives parallèles, appuyant l’ordre dominant de l’empire, telles que le capitalisme, l’ethnicité, le genre ou le régionalisme. Cette configuration historique, qui transforma et diversifia l’idée d’ « anarchie », est une des raisons importantes de la difficulté qu’on éprouve à définir le contenu de sens de ce dernier. C’est pourtant en nous efforçant de mettre au clair ce contexte historique surdéterminé que nous pourrons considérer les idées de l’arnarchisme ainsi que leur actualité. La diversité de l’anarchisme contemporain au sein de l’anti-globalisme provient-elle également d’un prolongement de la ré-interprétation et du re-développement de l’anarchisme dans la résistance à l’impérialisme et à la mondialisation ? Sur ces deux points, nous demanderons les rapports de M.TANAKA Hikaru et de M. UMEMORI Naoyuki, ainsi que les commentaires de M.YAMAGUCHI Mamoru et de M. KINOSHITA Chigaya. Nous espérons que beaucoup de chercheurs se rattachant à des champs d’études divers et originaires de pays variés voudront bien participer à ce colloque et y soulèveront des débats animés. (KATAKURA Yûsuke) Rapporteur TANAKA Hikaru ( Histoire, Histoire des idées ) Maître de conférences à l’Université d’Ôsaka Kyôiku Titre Les immigrants russes anarchistes aux Etats-Unis dans les années 1880-1920. UMEMORI Naoyuki ( Histoire des idées politiques japonaises) Professeur à l’Université Waseda Titre Le statut de l anarchisme dans l histoire des idées japonaises, dans sa relation avec les idées du premier socialisme. Commentateur YAMAGUCHI Mamoru (littérature chinoise, anarchisme chinois) Professeur de l’Université Nihon KINOSHITA Chigaya (Politiques) Programme Dimanche 24 mai 2009, Au Campus de Tama de l Université Chûô 742-1 Higashi-Nakano, Hachioji-shi, Tokyo 192-0393, Japon http //www2.chuo-u.ac.jp/global/location/location/tama.html Salle 3455, Bâtiment3 10.00-10.10Discours d ouverture 10.10-11.10 TANAKA Hikaru 11.10-11.20 pause 11.20-12.20 UMEMORI Naoyuki 12.20-13.30 Déjeuner 13.30-14.00 YAMAGUCHI Mamoru 14.10-14.40 KINOSHITA Chigaya 14.40.14.50 pause 14.50-17.30Débat (Questions et réponses) ------------------------------------------- General Meeting 2009 of the Historical Science Society of Japan, Section of modern history Sunday 24 may 2009, Tama Campus of the Chuo University Order of Empire and Formation of Anarchism ~Imagination for Resistance and Solidarity~ We would like to approach anarchism , by reviewing it in the political and historical context where its ideas and practices have taken shape and developed. Contemporary movements against globalization and neoliberalism include some currents which claim the name anarchists. They set anarchism as a political method or vision for resistance and solidarity. Anarchism is interpreted here as the practice for solidarity between various forms of resistance beyond the state, while preserving the differences; i.e. a “movement of true globalization” (David Graever). The urgent need for historical studies on neoliberalism and globalization must also lead to a review of the history of anarchism and its relevance as a resistance force against these global trends. A wide range of researches on anarchism have been accumulated in the science of history. We cannot deny the fact, however, that most of these works were limited to the study within a nation-state or its territory. In response to the problems caused by neoliberalism and globalization, recent works on anarchism have developed based on renewed criticism of previous studies. In other words, they focus on clarification of the historical situation where anarchism was born and contemporary globalization roots, as well as the process of the development of anarchism as a resistance movement accompanying the expansion of imperialistic orders beyond the borders of nation-states. Benedict Anderson outlines a history of anarchism as it was formed during the “early globalization” of the 1880s, marked by the expansion of imperialism and global networks. In the 1880s, anarchism succeeded---better than Marxism---in organizing networks across the borders of nation-states and territories all over the world through exiles, immigrants and publications, and experienced a boom until the Russian revolution. Combination of socialism and the state tended to be regarded as inevitable after the Russian Revolution, which weakened the anarchist movement and even concealed its historical significance. It should be noted, however, that anarchism emerged and developed within the process of the world history that has continued until today. We therefore believe that further review of anarchism will lead to clarification of the historical development of imperialism and to comprehension of trans-state resistance from the historical point of view. The issues or tasks we propose consist of the following two points 1.Trans-Territorial Networks of Anarchists Some anarchists organized movements across European borders using the networks which had been made possible by the early globalization. This expansion of anarchism proceeded along with nationalist resistance against colonialism. In the 1880s, the terrorism executed previously by anarchists was taken over by European and colonial nationalists. Paradoxically anarchists succeeded in organizing their vast networks of resistance by tying national movements against imperialism to the process which goes beyond national borders. 2.Transformations of Anarchism in Relation to Imperialism and Resistance Movement It is in this historical perspective that one can clarify the meaning of anarchist thought. Through these resistance networks, anarchism has been transformed in response to the political and cultural contexts of each territory in which it evolved. Accompanying and resisting imperialism and colonialism, anarchism has continued to change its form. The discourse and practices of those who declared themselves anarchists did not always come in a hostile relationship with the statements and practices supporting the imperialistic order, such as capitalism, ethnicity, gender role, and regionalism. They sometimes shared the same value. This historical configuration has diversified the idea of anarchism and made it difficult for us to define its meaning. Yet, by clarifying the multi-layered historical contexts, we can have a profound understanding of the ideas of anarchism and its actuality. The diversity of contemporary anarchism in the anti-globalism movement might be considered as an extension of the re-interpretation and re-development of anarchistic resistance to imperialism and globalization. On these two points, we asked Mr. Hikaru TANAKA and Mr. Naoyuki UMEMORI for reports, and Mr. Mamoru YAMAGUCHI and Mr. Chigaya KINOSHITA for comments. We hope that many researchers in various fields of studies can participate in the symposium from around the world and have an animated debate. Yusuke KATAKURA Repporter TANAKA Hikaru ( Histoire, Histoire des idées ) Assistant professor of the Ôsaka Kyôiku University Title Les immigrants russes anarchistes aux Etats-Unis dans les années 1880-1920. UMEMORI Naoyuki ( Histoire des idées politiques japonaises) Professeur à l’Université Waseda Titre Le statut de l anarchisme dans l histoire des idées japonaises, dans sa relation avec les idées du premier socialisme. Commentater YAMAGUCHI Mamoru (littérature chinoise, anarchisme chinois) Professeur de l’Université Nihon KINOSHITA Chigaya (Politiques) Program Sunday 24 may 2009, Tama Campus of the Chuo University 742-1 Higashi-Nakano, Hachioji-shi, Tokyo 192-0393, Japan 10.10-11.10 TANAKA Hikaru 11.20-12.20 UMEMORI Naoyuki 13.30-14.00 YAMAGUCHI Mamoru 14.10-14.40 KINOSHITA Chigaya 14.40.14.50 pause 14.50-17.30 Discussion (Questions and responses) Contact KATAKURA Yusuke katecon [atmark]hotmail.co.jp Contact KATAKURA Yusuke katecon [atmark]hotmail.co.jp .
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If you see people who needs help Precautions This article is still incomplete and may not be accurate. First of all, please follow these basic rules when helping someone 1. Do not try to help them on your own. Help them with people who are actually trained to rescue people in emergency. 2. Even when helping out, keep close your radio for new information. 3. Always think about what you can and cannot do for your own safety. Secondary disasters may happen anytime anywhere. 4. Always keep calm when rescuing someone. 5. If you are not an trained medical professional, the only thing you can do is to seek other help. Amateur medical knowledge can be dangerous. 6. When calling for help, be as clear as possible, and express words in the most simplistic way. Do not try to use jargons. In Japan, you will not be penalized/sued for rescuing someone, even if they end up dying. So please be actively involved in rescuing activities as much as possible. Often people die in disasters because it was just "too late". Be brave and god speed! How to make noise When you want to call for someone and not getting attention, it is much easier for someone to hear and notice you when you scream with a lower pitched voice, and the usage of Vowels (AEIOU). (e.g. "AHHHHHHH!" in a low pitch voice, rather than "KYAHHHH" in high pitched voice.) If you see someone under a debris and cannot move If you see someone that has been pinned under debris for long periods of time, do not try to rescue them on their own, and call ambulance instead. If you try to move them, what s known as a Crash Syndrome can occur, resulting in shock death of the person. If the person has JUST been pinned under the debris, pull them out immediately without hesitation, if possible. Few More Basic Stuff REMOVE FROM DANGER If you or the person you are rescuing is near IMMEDIATE danger (burning vehicle or building), move them to safety. ELECTROCUTION If the person is suffering electrocution, immediately switch off current. If that s impossible, stand on dry, non-conductive surface (concrete, etc), and push or lever the person being electrocuted by a dry, also non-conductive stick of some sort. DO NOT touch them while they are being electrocuted. UNCONSCIOUS BUT BREATHING? If you see someone that is unconscious, but breathing, do not try to move them (unless in immediate danger) in case of spinal injuries. Check that there are nothing that obstructs them from breathing properly, and deal with any serious bleeding by tying up places that are closer to the heart from the injury. Position them so that they are on one side, to stop vomit, blood or tongue falling back blocking their airways. You can try to do all these above, but the most important thing is to call for professional help. These rescue tips come second.
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?xml version="1.0" encoding="windows-1251" ? string_table string id="ammo-9x18-fmj" text 9x18 mm Patronen /text /string string id="ammo-9x18-fmj_s" text 9x18 /text /string string id="ammo-9x18-fmj_descr" text Gewnliche Projektile. Verf・en ・er eine gute Durchschlagskraft gegen weiche Ziele. Geeignet f・ die Pistolen PMm, PB1s und Fora-12. /text /string string id="ammo-9x18-pmm" text 9x18 mm +P+ Patronen /text /string string id="ammo-9x18-pmm_s" text 9x18 +P+ /text /string string id="ammo-9x18-pmm_descr" text Hierbei handelt es sich um Geschosse mit erhter Durchschlagskraft. Nicht wirkungsvoll gegen gepanzerte Ziele. Geeignet f・ die Pistolen PMm, PB1s und Fora-12. /text /string string id="ammo-9x19-fmj" text 9x19 mm VMG /text /string string id="ammo-9x19-fmj_s" text 9x19 VMG /text /string string id="ammo-9x19-fmj_descr" text Gewnliche Vollmantelgeschosse. Nicht wirkungsvoll gegen gepanzerte Ziele. Geeignet f・ die Pistolen Walker P9m, HPSS-1m und Martha sowie f・ die MP Viper 5. /text /string string id="ammo-9x19-pbp" text 9x19 mm PBP Patronen /text /string string id="ammo-9x19-pbp_s" text 9x19 PBP /text /string string id="ammo-9x19-pbp_descr" text Starkes 9x19mm-Hohlspitzgeschoss. Nicht wirkungsvoll gegen gepanzerte Ziele. Geeignet f・ die Pistolen Walker P9m, HPSS-1m und Martha sowie f・ die MP Viper 5. /text /string string id="ammo-11.43x23-fmj" text .45ACP Patronen /text /string string id="ammo-11.43x23-fmj_s" text .45ACP /text /string string id="ammo-11.43x23-fmj_descr" text Gewnliche .45-Vollmantelgeschosse. Geeignet f・ die Pistolen Kora-919 und SIP-t M200. /text /string string id="ammo-11.43x23-hydro" text .45Hydro Patronen /text /string string id="ammo-11.43x23-hydro_s" text .45Hydro /text /string string id="ammo-11.43x23-hydro_descr" text Hydroschock-Geschosse mit verbesserten Eigenschaften f・ die Pistolen Kora-919 und SIP-t M200. Es handelt sich um Hohlspitzgeschosse mit ausreichender Durchschlagskraft. /text /string string id="ammo-5.45x39-fmj" text 5.45x39 mm Patronen /text /string string id="ammo-5.45x39-fmj_s" text 5.45x39 /text /string string id="ammo-5.45x39-fmj_descr" text Standardmunition f・ die automatischen Gewehre des Warschauer Paktes. Geeignet f・ die Sturmgewehre AKM 74/2U, AKM 74/2 und AC96/2. /text /string string id="ammo-5.45x39-ap" text 5.45x39 mm BP Patronen /text /string string id="ammo-5.45x39-ap_s" text 5.45x39 BP /text /string string id="ammo-5.45x39-ap_descr" text Panzerbrechende Munition f・ die automatischen Gewehre des Warschauer Paktes. Geeignet f・ die Sturmgewehre AKM 74/2U, AKM 74/2 und AC96/2. /text /string string id="ammo-5.56x45-ss190" text 5.56?45 mm Patronen /text /string string id="ammo-5.56x45-ss190_s" text 5.56?45 /text /string string id="ammo-5.56x45-ss190_descr" text NATO-Standardmunition, allgemein bekannt in der belgischen SS109-Variante. Geeignet f・ die Sturmgewehre IL 86, TRs 301, SGI 5k, GP 37 und FT 200M. /text /string string id="ammo-5.56x45-ap" text 5.56x45 mm AP Patronen /text /string string id="ammo-5.56x45-ap_s" text 5.56 AP /text /string string id="ammo-5.56x45-ap_descr" text Panzerbrechende Munition f・ die Sturmgewehre IL 86, TRs 301, SGI 5k, GP 37 und FT 200M. /text /string string id="ammo-9x39-pab9" text 9x39 mm PAB-9 Patronen /text /string string id="ammo-9x39-pab9_s" text 9x39 PAB9 /text /string string id="ammo-9x39-pab9_descr" text G・stige, gewnliche Munition. Trotz der Unterschallgeschwindigkeit ist sie ziemlich durchschlagskr臟tig. Geeignet f・ die Sturmgewehre Tunder S14 und SA Avalanche sowie f・ das Scharfsch・zengewehr Vintar BC. /text /string string id="ammo-9x39-ap" text 9x39 mm SP-6 Patronen /text /string string id="ammo-9x39-ap_s" text 9x39 SP-6 /text /string string id="ammo-7.62x54-7h14" text 7.62x54 mm 7N1 Patronen /text /string string id="ammo-7.62x54-7h14_s" text 7.62 7N1 /text /string string id="ammo-7.62x54-7h14_descr" text Panzerbrechende Pr艘isionsgeschosse Kaliber 7.62 f・ Scharfsch・zen. Geeignet f・ die Scharfsch・zengewehre SVDm 2 und SVUmk2. /text /string string id="ammo-7.62x54-ap" text 7.62x54 mm PP Patronen /text /string string id="ammo-7.62x54-ap_s" text 7.62 PP /text /string string id="ammo-7.62x54-ap_descr" text G・stige MG-Munition Kaliber 7.62. Wegen der nicht passenden Form kann diese Munition nicht in Scharfsch・zengewehren verwendet werden und wird ausschlie゚lich im MG RP-74 eingesetzt. /text /string string id="ammo-12x70-buck" text 12x70 Schrotladung /text /string string id="ammo-12x70-buck_s" text 12x70 Schrot /text /string string id="ammo-12x70-buck_descr" text Standardgeschosse Kaliber 12 gef・lt mit 6mm-Schrot. Tlich auf kurze Distanz. Geeignet f・ Jagdgewehre und Schrotflinten sowie f・ die halbautomatischen Schrotflinten SPSA14 und Chaser 13. /text /string string id="ammo-12x76-zhekan" text 12x76 Gewehrladung /text /string string id="ammo-12x76-zhekan_s" text 12x76 Massiv /text /string string id="ammo-12x76-zhekan_descr" text Diese schweren Massivgeschosse werden normalerweise auf der Jagd nach ganz gro゚er Beute eingesetzt, knen aber auch in anderen Bereichen sinnvoll sein. Die schwere Munition bohrt sich nicht wie ・lich durch die Panzerung, sondern durchschl臠t sie einfach mit einer immensen Wucht. Geeignet f・ Jagdgewehre und Schrotflinten sowie f・ die halbautomatischen Schrotflinten SPSA14 und Chaser 13. /text /string string id="ammo-12x76-dart" text 12x76 Spitzgeschosse /text /string string id="ammo-12x76-dart_s" text 12x76 Spitz /text /string string id="ammo-12x76-dart_descr" text Spitzgeschosse. Die Lamellen erhen die Stabilit舩 und damit die Schussgenauigkeit. Der massive Stahlkern der Munition kann jede Panzerung durchdringen. Geeignet f・ Jagdgewehre und Schrotflinten sowie f・ die halbautomatischen Schrotflinten SPSA14 und Chaser 13. /text /string string id="ammo-gauss" text Akkumulator /text /string string id="ammo-gauss_descr" text Hochleistungsenergiezellen. Sie werden verwendet, um den Prototyp des elektromagnetischen EM1-Gewehrs anzutreiben. /text /string string id="ammo-m209" text M209 Granate /text /string string id="ammo-m209_s" text M209 /text /string string id="ammo-m209_descr" text Granate f・ den M203 Unterlaufgranatwerfer und den integrierten Granatwerfer des FT 200M. /text /string string id="ammo-vog-25" text VOG-25 Granate /text /string string id="ammo-vog-25_s" text VOG-25 /text /string string id="ammo-vog-25_descr" text Standardgranate f・ den GP-25 Koster Unterlaufgranatwerfer, den integrierten Unterlaufgranatwerfer des Tunder S14 und den Bulldog 6 Revolver-Granatwerfer. /text /string string id="ammo-og-7b" text OG-7V Granate /text /string string id="ammo-og-7b_s" text OG-7V /text /string string id="ammo-og-7b_descr" text Splittergranate f・ den RPG-7u. Wirkungsvoll gegen weiche Ziele und leicht gepanzerte Fahrzeuge. /text /string string id="st_grenade_f1" text F1 Granate /text /string string id="st_grenade_f1_descr" text Defensive Handgranate mit Splitterwirkung, die gewnliche Kperpanzerung durchdringen kann. Die Druckwelle hat einen Radius von 10 Metern. /text /string string id="st_grenade_rgd5" text RGD-5 Granate /text /string string id="st_grenade_rgd5_descr" text Offensive Handgranate mit einem kleinen Radius f・ Schaden durch Splitterwirkung. Die Druckwelle hat einen Radius von 8 Metern. /text /string string id="st_grenade_smoke" text Rauchgranate /text /string string id="st_grenade_smoke_descr" text Eine Handgranate, um eine Rauchwolke zu erzeugen. Die Wirkungsdauer betr臠t 10 Sekunden. /text /string string id="st_grenade_launcher" text GP-25 "Koster" /text /string string id="st_grenade_launcher_descr" text Ein Unterlaufgranatwerfer f・ Sturmgewehre aus den L舅dern des Warschauer Paktes. Benigt VOG-25-Munition. /text /string string id="st_grenade_launcher_m203" text M203 /text /string string id="st_grenade_launcher_m203_descr" text Ein Unterlaufgranatwerfer f・ NATO-Gewehre. Benigt M209-Munition. /text /string string id="st_addon_scope" text PSO-1 Zielfernrohr /text /string string id="st_addon_scope_descr" text Ein weit verbreitetes optisches Zielfernrohr aus sowjetischer Produktion. Wie ・lich in den L舅dern des Warschauer Paktes wird es mit einer Prismenschiene auf Waffen montiert. /text /string string id="st_addon_scope_susat" text SUSAT Zielfernrohr /text /string string id="st_addon_scope_susat_descr" text Ein optisches 4fach-Zielfernrohr aus NATO-L舅dern. Gem葹 dem NATO-Standard wird es mittels einer sog. Picatinny-Schiene auf Waffen montiert. /text /string string id="st_addon_silencer" text Schalld舂pfer /text /string string id="st_addon_silencer_descr" text Ein wirkungsvoller Schalld舂pfer, der von einigen Handwerkern aus der Zone zusammengebaut wurde. Verf・t ・er mehrere Adapter f・ den Einsatz mit Waffen aller Kaliber. /text /string string id="st_wpn_pm" text PMm /text /string string id="st_wpn_pm_descr" text Dieses Sowjeterbe ist die am weitesten verbreitete Pistole in der Zone. Sie ist zwar zuverl舖sig und g・stig, weist jedoch ein kleines Magazin und eine geringe Pr艘ision auf. Sie wird von vielen Anf舅gern als Hauptwaffe eingesetzt und benigt 9x18mm-Munition. /text /string string id="st_wpn_pb" text PB1s /text /string string id="st_wpn_pb_descr" text Eine Pistole mit integriertem Schalld舂pfer, die fr・er von den sowjetischen Spetsnaz-Einheiten verwendet wurde. Sie ist zwar mittlerweile moralisch fragw・dig, aber in den richtigen H舅den kann sie sehr wirkungsvoll sein. Benigt 9x18mm-Munition. /text /string string id="st_wpn_fort" text Fora-12 /text /string string id="st_wpn_fort_descr" text Eine Polizeipistole aus der Ukraine. Sie weist eine here Pr艘ision, bessere Ergonomie und ein greres Magazin als die Makarov auf, dies geht allerdings zu Lasten der Zuverl舖sigkeit. Benigt 9x18mm-Munition. /text /string string id="st_wpn_beretta" text Martha /text /string string id="st_wpn_beretta_descr" text Die Martha wird von der US-Armee und -Polizei sowie verschiedenen milit舐ischen Organisationen auf der ganzen Welt eingesetzt. Die Pistole genie゚t zudem dank ihrer Durchschlagskraft und des gro゚en Magazins ebenfalls gro゚es Ansehen in der kriminellen Halbwelt. Benigt 9x19mm-Munition. /text /string string id="st_wpn_walther" text Walker P9m /text /string string id="st_wpn_walther_descr" text Eine hervorragende Pistole aus deutscher Produktion mit hoher Zuverl舖sigkeit, guter Pr艘ision und einem gro゚en Magazin - ganz besonders in dieser Variante, die 9mm-Parabellum-Geschosse verschie゚t. Benigt 9x19mm-Munition. /text /string string id="st_wpn_hpsa" text HPSS-1m /text /string string id="st_wpn_hpsa_descr" text Die Browning hat zurecht den Ruf, eine der besten Handfeuerwaffen des 20. Jahrhunderts zu sein. Zuverl舖sig, durchschlagskr臟tig und zielgenau sowie mit einer Kapazit舩 von 13 9x19mm-Patronen. /text /string string id="st_wpn_colt1911" text Kora-919 /text /string string id="st_wpn_colt1911_descr" text Dieser klassische automatische Colt, der alle gro゚en bewaffneten Konflikte des 20. Jahrhunderts mit Bravour gemeistert hat, geht auch im neuen Jahrtausend noch lange nicht zum alten Eisen. Die durchschnittliche Magazingre wird durch die m臘htige .45-Munition mehr als wettgemacht. /text /string string id="st_wpn_sig220" text SIP-t M200 /text /string string id="st_wpn_sig220_descr" text Dieses Modell wurde zwar schon 1975 entwickelt, ist aber immer noch auf der ganzen Welt beliebt. Die Waffe hat zwar ein recht kleines Magazin, funktioniert aber daf・ wie ein Schweizer Uhrwerk. Ein weiterer Vorteil ist die durchschlagskr臟tige Colt-Munition Kaliber .45. /text /string string id="st_wpn_usp" text UDP Kompakt /text /string string id="st_wpn_usp_descr" text Diese zuverl舖sige Waffe bietet deutsche Qualit舩 und Verl舖slichkeit. Die kompakte Waffe mit geringer Reichweite ist besonders bei Zonenveteranen beliebt. Benigt .45-Munition. /text /string string id="st_wpn_eagle" text Schwarzer Drachen /text /string string id="st_wpn_eagle_descr" text Die Waffe f・ wahre Helden - gro゚, schwer und tlich. Ihre geringe Verbreitung in der Zone ist zur・kzuf・ren auf den Preis, die Gre und die Tatsache, dass es so wenige Elefanten gibt, die man mit der Waffe jagen knte. Benigt .45-Munition. /text /string string id="st_wpn_mp5" text Viper 5 /text /string string id="st_wpn_mp5_descr" text In den letzten Jahrzehnten des 20. Jahrhunderts galt die Viper 5 als eine der besten MPs ・erhaupt und wurde auf der ganzen Welt in Polizeiverb舅den und Spezialeinsatztruppen eingesetzt. Nachdem sie schrittweise durch neuere Modelle ersetzt wurde, konnte man sie h舫fig auf dem Schwarzmarkt finden, von wo sie in gro゚en Mengen in die Zone gelangt ist. Benigt 9x19mm-Munition. /text /string string id="st_wpn_ak74u" text AKM 74/2U /text /string string id="st_wpn_ak74u_descr" text Obwohl diese Waffe vom Gewicht und der Gre her einer MP entspricht, wird sie auf Grund ihrer Funktionsweise und Munition als Sturmgewehr eingestuft. Ihrer geringen Gre (sehr n・zlich f・ den Stra゚enkampf) und starken panzerbrechenden Wirkung stehen ihre kurze Feuerreichweite und vergleichsweise schnelle ワberhitzung bei Salven entgegen. Benigt 5.45x39mm-Munition. /text /string string id="st_wpn_ak74" text AKM 74/2 /text /string string id="st_wpn_ak74_descr" text Die 1974 entwickelte AKM 74/2 benigt 5.45x39mm-Munition. Es handelt sich um eine einfache und zuverl舖sige Waffe, auch wenn man wegen der geringen Herstellungskosten kleinere Abstriche bei der Handhabung und Schussgenauigkeit machen muss. In der Zone stellt sie die Hauptwaffe des Milit舐s und vieler einsamer Stalker dar. Benigt wie erw臧nt 5.45x39mm-Munition. /text /string string id="st_wpn_abakan" text AC96/2 /text /string string id="st_wpn_abakan_descr" text Ein auf der AK47 basierendes Modell aus dem Jahr 1996. Die Waffe wurde f・ pr艘ise und kurze Salven entwickelt. Benigt 5.45x39-Munition. /text /string string id="st_wpn_l85" text IL 86 /text /string string id="st_wpn_l85_descr" text Nachdem die britische Armee dieses Gewehr durch ein neueres Modell ersetzt hatte, tauchten gro゚en Mengen davon auf dem Schwarzmarkt und kurz darauf auch in der Zone auf. Die Vorteile der Waffe sind das eingebaute 4fach-Zielfernrohr und die hohe Pr艘ision beim ersten Schuss. Allerdings l舖st die Schussgenauigkeit bei Salvenfeuer erheblich nach, was dem relativ unzuverl舖sigen Mechanismus des Gewehrs geschuldet ist. Benigt 5.56x45mm-Munition. /text /string string id="st_wpn_lr300" text TRs 301 /text /string string id="st_wpn_lr300_descr" text Eine neue Entwicklungsstufe der ber・mten M16-Familie. Dank der besonders sanften Feuertechnik, der guten Ergonomie und des relativ geringen Gewichts weist dieses Gewehr eine hohe Schussgenauigkeit auf. Es ist jedoch anf舁lig gegen・er Verschmutzung, was die Effektivit舩 im Feldeinsatz schm舁ern knte. Benigt 5.56x45mm-Munition. /text /string string id="st_wpn_sig550" text SGI 5k /text /string string id="st_wpn_sig550_descr" text Ein relativ neues Sturmgewehr aus der Schweiz, das NATO-Munition verschie゚t. Die Pr艘ision, die sanfte Feuertechnik und die hohe Zuverl舖sigkeit der Waffe sind die Gr・de daf・, dass sie auf der ganzen Welt beliebt ist. Benigt 5.56x45mm-Munition. /text /string string id="st_wpn_g36" text GP 37 /text /string string id="st_wpn_g36_descr" text Dieses deutsche Sturmgewehr ist ein perfektes Beispiel f・ eine moderne Waffe - sehr leicht, zuverl舖sig und ergonomisch. Benigt 5.56x45mm-Munition. /text /string string id="st_wpn_fn2000" text FT 200M /text /string string id="st_wpn_fn2000_descr" text Dieses Sturmgewehr bietet ein computergest・ztes Feuerleitsystem und einen 40mm-Granatwerfer. Benigt 5.56x45mm-Munition und M209-Granaten. /text /string string id="st_wpn_groza" text Tunder S14 /text /string string id="st_wpn_groza_descr" text Diese Kombination aus Sturmgewehr und Granatwerfer stellt eine hervorragende Lung f・ die allt臠lichen Probleme in der Zone dar eine kompakte, zuverl舖sige und durchschlagskr臟tige Waffe, die besonders bei milit舐ischen Stalkern beliebt ist. Benigt 9x39mm-Munition und VOG-25-Granaten. /text /string string id="st_wpn_val" text SA "Avalanche" /text /string string id="st_wpn_val_descr" text Das SA Avalanche ist eine modifizierte Version des schallged舂pften Vintar BC Scharfsch・zengewehrs. Es kann Salven feuern und weist ein greres Magazin auf. Urspr・glich war die Waffe f・ den Einsatz durch Spezialkr臟te bei Angriffsoperationen gedacht, die leise Sch・se ohne M・dungsfeuer erforderten. Benigt 9x39mm-Munition. /text /string string id="st_wpn_vintorez" text Vintar BC /text /string string id="st_wpn_vintorez_descr" text Ein Scharfsch・zengewehr mit integriertem Schalld舂pfer f・ den leisen Einsatz ohne M・dungsfeuer. Trotz des kleinen Magazins wird diese Waffe von vielen Stalkern sehr gesch舩zt. Benigt 9x39mm-Munition. /text /string string id="st_wpn_svd" text SVDm 2 /text /string string id="st_wpn_svd_descr" text Eine Waffe, die seit den 60er-Jahren in so gut wie allen sowjetischen und russischen Operationen zum Einsatz gekommen ist. Sie verdankt ihren guten Ruf der hervorragenden Zuverl舖sigkeit und der einfachen Handhabung. Benigt 7.62-7H14-Munition. /text /string string id="st_wpn_svu" text SVUmk2 /text /string string id="st_wpn_svu_descr" text Ein modernes Scharfsch・zengewehr in der kompakten Bullpup-Bauform. Sein geringes Gewicht und die Mlichkeit, damit schnell und pr艘ise zu feuern, hat zahlreiche Stalker von dem Gewehr ・erzeugt. Benigt 7.62-7H14-Munition. /text /string string id="st_wpn_rp" text RP-74 /text /string string id="st_wpn_rp_descr" text Trotz des Gewichts und der geringen Schussgenauigkeit ist dieses leichte MG in der Zone recht beliebt. Es wird vornehmlich gegen zahlenm葹ig ・erlegene Gegner oder zum S舫bern von Mutantenschlupflhern benutzt. Benigt 7.62PP-Munition. /text /string string id="st_wpn_bm16" text Schrotflinte /text /string string id="st_wpn_bm16_descr" text Eine abges臠te Jagdschrotflinte mit Doppellauf. Sie ist zwar deutlich leichter und kompakter als eine normale Schrotflinte, kann aber ihre verheerende Wirkung nur auf kurze Distanz entfalten. Dennoch oder gerade deswegen geht sie zu den beliebtesten Waffen bei Anf舅gern. Benigt 12x70mm-Munition. /text /string string id="st_wpn_toz34" text Jagdgewehr /text /string string id="st_wpn_toz34_descr" text Ein stinknormales und absolut durchschnittliches Jagdgewehr mit zwei untereinander liegenden L舫fen. Wird meist von Anf舅gern in den Au゚enbezirken der Zone eingesetzt. Benigt 12x70mm- Munition. /text /string string id="st_wpn_spas12" text SPSA14 /text /string string id="st_wpn_spas12_descr" text Die halbautomatische SPSA-Schrotflinte mit glattem Lauf wurde in den sp舩en 70er-Jahren als Allzweckwaffe f・ die Sturmtruppen der Polizei und Armee entwickelt. Sie ist zwar sehr zuverl舖sig und flexibel einsetzbar, aber ziemlich klobig, kompliziert zu handhaben und teuer. Wahrscheinlich eine der besten Waffen in der Zone f・ kurze Distanzen. Benigt 12x70mm-Munition. /text /string string id="st_wpn_wincheaster1300" text Chaser 13 /text /string string id="st_wpn_wincheaster1300_descr" text Eine amerikanische, 舫゚erst zuverl舖sige Pump-Action-Schrotflinte mit glattem Lauf, die f・ den Kampfeinsatz in den unwirtlichsten Umgebungen konzipiert ist. Alle Bestandteile sind mit einer Antikorrosionsbeschichtung versehen. Benigt 12x70mm-Munition. /text /string string id="st_wpn_rpg7" text RPG-7u /text /string string id="st_wpn_rpg7_descr" text Dieser Granatwerfer aus den 60er-Jahren ist aus Lagerbest舅den der Armee in die Zone gelangt. Seine enorme Gre und das hohe Gewicht pr臈estinieren ihn nicht gerade f・ den Alltagsgebrauch, aber in manchen Situationen ist die Waffe unverzichtbar. Benigt OG-7V-Granaten. /text /string string id="st_wpn_rg6" text Bulldog 6 /text /string string id="st_wpn_rg6_descr" text Dieser Revolver-Granatwerfer ist unersetzlich, wenn man gro゚e Mutantenhorden ausschalten, stark verteidigte Stellungen einnehmen oder besonders hartn臘kige Monster bek舂pfen muss. Benigt VOG-25-Granaten. /text /string string id="st_wpn_gauss" text EM1 Gewehr /text /string string id="st_wpn_gauss_descr" text Ein experimentelles elektromagnetisches Gewehr, mit dem man elektronische Ger舩e aus der Distanz au゚er Gefecht setzen kann. Gegen lebendige Ziele ist es wirkungslos. Benigt Akkumulatorbatterien. /text /string string id="st_wpn_mp5_m1" text Viper 5m /text /string string id="st_wpn_mp5_m1_descr" text Eine modifizierte Version der Viper-MP. Dank der besseren Anordnung der Bauteile erreicht dieses Modell eine here M・dungsgeschwindigkeit. Benigt 9x19mm-Munition. /text /string string id="st_wpn_hpsa_m1" text HPCS-1 /text /string string id="st_wpn_hpsa_m1_descr" text Diese Waffe ist eine modifizierte Version der XPSS-1m-Pistole f・ den Einsatz unter harten klimatischen Bedingungen. Die absolut idiotensichere Handfeuerwaffe benigt 9x19mm-Munition. /text /string string id="st_wpn_fort_m1" text Fora-14 /text /string string id="st_wpn_fort_m1_descr" text Die Fora-14 hat ein greres Magazin als das Basismodell. Benigt 9x18mm-Munition. /text /string string id="st_wpn_ak74_m1" text AKV 74 /text /string string id="st_wpn_ak74_m1_descr" text Hierbei handelt es sich um eine weiterentwickelte Version des AKM 74/2 Sturmgewehrs. Eine fortschrittlichere Bauform sorgt f・ eine Erhung der Feuerrate um 100 Schuss pro Minute. Um das Gewicht des Laufs zu verringern, sind einige Elemente weggefallen, wodurch z.B. optische Zielfernrohre nicht mehr angebracht werden knen. Benigt 5.45x39mm-Munition. /text /string string id="st_wpn_eagle_m1" text Big Ben /text /string string id="st_wpn_eagle_m1_descr" text Ein wahrer Riese unter den Pistolen. Der an sich schon lange Lauf wurde durch eine spezielle Erweiterung noch verl舅gert. Weist eine ・erragende Durchschlagskraft auf und benigt .45-Munition. /text /string string id="st_wpn_sig550_m1" text SGI 5.45 /text /string string id="st_wpn_sig550_m1_descr" text Einige findige Handwerker haben das SGI 5k so modifiziert, dass es sowjetische Munition aufnehmen kann, die in der Zone gebr舫chlicher ist. Die Modifikationen des Basismodells knen weiterhin benutzt werden. Benigt 5.45x39mm-Munition. /text /string string id="st_wpn_abakan_m1" text AC96sl /text /string string id="st_wpn_abakan_m1_descr" text Schallged舂pfte Version des AC96/2. Der Lauf der Waffe wurde handwerklich gekonnt um einen Schalld舂pfer erweitert. Dadurch wird die Pr艘ision erht und man kann dennoch alle Vorteile eines Sturmgewehrs nutzen. Benigt 5.45x39mm-Munition. /text /string string id="st_wpn_wincheaster1300_m1" text "Freiheit"-Chaser /text /string string id="st_wpn_wincheaster1300_m1_descr" text Im Gegensatz zu den meisten anderen Schrotflinten hat diese Waffe einen gezogenen Lauf. Dies macht es zwar unmlich, Schrot- oder Spitzgeschosse einzusetzen, aber daf・ wird die Schussgenauigkeit mit Massivgeschossen enorm verbessert. Benigt 12x76-Gewehrmunition. /text /string string id="st_wpn_vintorez_m1" text "Avalanche" Vintar /text /string string id="st_wpn_vintorez_m1_descr" text Eine Hybrid-Version, die die Vorteile beider Modelle vereint. Das Ergebnis ist ein 20-Schuss-Magazin und eine hohe Pr艘ision bei Automatikfeuer. Das 2fach-Zielfernrohr des Gewehrs ist auf kurze Distanzen zugeschnitten. Benigt 9x39mm-Munition. /text /string string id="st_wpn_spas12_m2" text SPSA-AUT /text /string string id="st_wpn_spas12_m2_descr" text Die halbautomatische SPSA-AUT-Schrotflinte wird ausschlie゚lich von W臘htern hergestellt und dient haupts臘hlich dem Kampf gegen Monsterschw舐me. Ein verbessertes Patronensystem sorgt f・ eine here Feuerrate und beeindruckende Streuwirkung mit Schrotgeschossen. Das erweiterte Magazin fasst bis zu zehn 12x70mm-Patronen. /text /string string id="st_wpn_lr300_m1" text TPs "Linksh舅der" /text /string string id="st_wpn_lr300_m1_descr" text Diese Waffe ist das Ergebnis hervorragender Handwerkskunst und ist an ihren Besitzer angepasst. Dabei wird besonders auf die Pr艘ision Wert gelegt, auch wenn das auf Kosten der Feuerrate geht. Wenn Sie also in zehn Sekunden zehn Mal exakt dieselbe Stelle treffen mhten, ist das hier die perfekte Waffe f・ Sie. Benigt 5.56x45mm-Munition. /text /string string id="st_wpn_l85_m1" text IL 86s /text /string string id="st_wpn_l85_m1_descr" text Scharfsch・zenversion des IL 86 Gewehrs. Der l舅gere Lauf erht die M・dungsgeschwindigkeit, was f・ eine flachere Flugbahn der Kugel sorgt und damit pr艘isere Sch・se auf grere Distanzen ermlicht. Benigt 5.56x45mm-Munition. /text /string string id="st_wpn_fn2000_m1" text FT 202M /text /string string id="st_wpn_fn2000_m1_descr" text Erneuerte Version eines Sturmgewehrs mit besonderem Augenmerk auf pr艘ises Salvenfeuer. Der Unterlaufgranatwerfer ist mit einem Gravitationsstabilisator ausgestattet, der die Streuung erheblich verringert. Der Nachteil dieser Modifikation besteht darin, dass der Granatwerfer nicht mehr eingesetzt werden kann. Benutzt 5.56x45mm-Munition. /text /string string id="st_wpn_svu_m1" text SV-Am /text /string string id="st_wpn_svu_m1_descr" text Diese Automatikversion eines Scharfsch・zengewehrs hat einen viel geringeren R・ksto゚, wodurch man schneller und pr艘iser schie゚en kann. Benigt 7.62-7H14-Munition. /text /string string id="st_wpn_groza_m1" text Tunder S14sn /text /string string id="st_wpn_groza_m1_descr" text Scharfsch・zenprototyp des Tunder S14 Sturmgewehrs. Diese ausgeglichene Waffe eignet sich f・ pr艘ises und automatisches Feuer. Auch der Unterlaufgranatwerfer kann n・zlich sein. Benigt 9x39mm-Munition und VOG-25-Granaten. /text /string string id="ammo-9x39-ap_descr" text Panzerbrechende 9x39-mm-Kugel. Trotz Unterschallgeschwindigkeit bietet sie dank ihres Kalibers eine betr臘htliche Mannstoppwirkung. Durch ihre Form durchdringt diese Spezialkugel fast jeden Kperschutz. Sie wird mit einer Tunder S14, einem Sturmgewehr vom Typ SA Avalanche oder dem Spezial-Scharfsch・zengewehr Vintar BC abgefeuert. /text /string string id="st_knife" text Messer /text /string string id="ammo_minigame_descr" text Munition mit Markierungen speziell f・ die Schie゚anlage /text /string string id="ammo_minigame_name" text Munition f・ die Schie゚anlage /text /string /string_table
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【Tags Miku ryo tW H】 Original imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 Music Title 初めての恋が終わる時) English music title When The First Love Ends Romaji music title Hajimete no Koi ga Owaru Toki Music Lyrics written, Voice edited by ryo Music arranged by ryo Singer 初音ミク (Hatsune Miku) Click here for the Japanese Lyrics English Lyrics (translated by soundares): The first kiss tasted like tears. It was like the love in dramas. As if waiting for the right moment, the departure bell rang. A winter wind brushes my cheek. So I blew on my hands and rubbed them together. The city is lighted by an illumination, as if magically casted. And made the naked trees sparkle. I just couldn’t say it. My feelings I kept inside. This is what I’ve decided to do. It’s alright, I won’t look back so... Thank you, goodbye. A bittersweet unrequited love. If I stopped moving now, I might think back to our past, so... Thank you, goodbye. I won’t cry at all. The moment I thought that, Softly, the snow began to fall, so flowingly. When I touched it, it dissolved and disappeared. As I continue to the station, A couple close by appears happy. “Hey, it’s the first snow of the season!” I wanted to be like that with you. I hoped it was not too late. I had a hand muffler. How could I give it to you? I’m a coward, I’m too scared. Is it okay to let go if it’d only be a memory? I ask myself if it this was true. Thank you, goodbye. I knew that someday a time like this would come, yet... Thank you, goodbye. My body is trembling. The train will come at any minute. It’s troubling me now. I want us together. I want you so much. My hand is empty. But hey, this is what we call a goodbye, right? I know I have to go. I know that you are sweet too. Please, let me go. I am happy that we met. I love you. Thank you, goodbye. I can’t say a single word. Just for a moment, give me the courage to speak. “Hey...” The lips that we about to speak... The distance to you became zero. Can I cry, just for this moment? There is no need for words, just keep holding me tightly. By this time next year, I wonder what I will be like... What you will be like... English Lyrics (translated by Mαrvel ): On my first kiss, I felt the taste of tears It looked like as if it was a love drama Like it was intended, the bell for departure has rung The cold winter wind grazes on my cheeks I rubbed my hands with the breath I respired The illuminations in the town, looked like a cast magic The bare roadside trees sparkle By all means, I wasn t able to say These feelings, I have repressed them I already have decided this earlier It s fine like this Because I can t turn around Thank you, farewell This painful, unrequited love If my feet stops, I might remember it That s why Thank you, farewell Because I won t cry That s what I thought, and then, softly, The snow falls down If I touch it, it would ve melted away On the main street that leads to the station The couples cuddling close together, looks fun "Hey look, it s the first snow of winter!" I wanted to be like this with you The first that I made A hand knitted muffler How could I ever hand it over to you? I didn t have confidence, I was just scared "If I would remember these, Eventually, I wouldn t mind them anymore" But is that the truth? Thank you, farewell Someday this time would come again I should have understood by then Even so Thank you, farewell? My body is shivering all over Though the train will come soon Which is nearing up to the present It torments me I want to hold hands with you No matter how much I have wished for it These hands are empty Hey, is this really a "farewell"? You have to go I quite understand that Even your kindness, I understand it That s why "......let go of this hand" I m glad I ve met you I love you Thank you, farewell I won t say a single word This moment is just fine, the courage, to me "Hey, you know--" Lips have stopped in the middle; distance with you was zero ......it s okay for me to cry for now, right? I don t need any words Please, embrace me tightly In the next year, around this time What kind of me will be here? What kind of you will be here? English Lyrics for singing (by 墨 (Kotomi) ): I tasted my salty tears when you gave me my first kiss It was just like a drama that I had seen The starting bell tore us apart, it must ve been written in the script The chilly wind grazed along my cheek I breathed out and rubbed my hands together in order to warm them up The brilliant illuminations decorating the bare trees make the streets a wonderland How could I tell you this feeling? I swallowed my words It was better to leave them unsaid Don t think that I m stupid, it s a promise between me and myself No more looking back though it hurts Arigatou sayonara my heart breaking one-sided love I ll just keep on moving on then I can get over you So please let me say thank you and goodbye though it s gonna make me cry When I tried not to burst into tears a snowflake touched on my skin It melted away and disappeared Walking down toward the station, I felt totally left out "Hey baby, it s snowing!" said some girl to her lover All I wanted was to be like her, I hoped it was not too late In my bag was a hand-knitted muffler How could I give this present to you? I am just a coward.. and I am just afraid Is it okay to let it go if it would be a memory? I say to myself, "You re sure about that?" Arigatou sayonara I should have been prepared for this And made myself not to regret any of it Why am I saying just thank you and good bye? How could I be so strong? The train will soon arrive but I don t want it to I can t make myself understand why my heart hurts I want you for my own, I wished for God, but still I m all alone Insecurity and emptiness Oh why does it hurt this much just to say good bye? You will have to go, I know, I know Don t be so kind that you make me cry again "..please let me go" I will never forget you, I love you so much Arigatou sayonara I can t say a word so please God, give me some courage "Hey, wait! I... I...!" Then I realized that there s no distance between you and me Can I cry just for now? Words are no longer needed, hold me tight and never let me go (Never let me go...) What s gonna happen to us this time next year is never known but Promise me to be who you wanna be Romaji lyrics (transliterated by Mαrvel): hajimete no kisu wa namida no aji ga shita marude dorama mitai na koi mihakaratta you ni hassha no beru ga natta tsumetai fuyu no kaze ga hoo o kasumeru haita iki de ryoute o kosutta machi wa irumineeshon mahou o kaketa mitai hadaka no gairoju kirakira doushitemo ienakatta kono kimochi osaetsuketa mae kara kimeteita koto dakara kore de ii no furimukanai kara arigatou sayonara setsunai kataomoi ashi o tometara omoidashite shimau dakara arigatou sayonara naitarishinai kara sou omotta totan ni fuwari maioritekuru yuki furetara toketekieta eki e to tsuzuku oodoori yorisotteru futari tanoshisou "hora mite hatsuyuki!" kimi to anna fuu ni naritakute hajimete tsukutta teami no mafuraa doushitara watasetandarou ikuji nashi kowakatta dake omoide ni naru nara kono mama de kamawanai tte sore wa hontou na no? arigatou sayonara itsuka konna toki ga kite shimau koto wakatteta hazu da wa na no ni arigatou sayonara? karada ga furueteru mousugu ressha ga kuru noni sore wa ima ni natte watashi o kurushimeru tsunagaritai dorehodo negatta darou kono te wa karappo nee sayonara tte kouiu koto? ikanakucha sonna no wakatteru kimi ga yasashii koto mo shitteru dakara "......kono te o hanashite yo" deaete yokatta kimi ga suki arigatou sayonara hitokoto ga ienai ima dake de ii watashi ni yuuki o "ano ne--" iikaketa kuchibiru kimi to no kyori wa zero ......ima dake wa naite ii yo ne mou kotoba wa iranai onegai gyutto shiteite rainen no imagoro ni wa donna watashi ga ite donna kimi ga iru no kana
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Philippinesnational, accident prevention,andfirerescueand affiliatedinstitutions andLinks Being edited Outline of firefighting Organizationlogo 組織ロゴ Affiliation 所属 Organization name 組織名 Guardians Fire Rescue Volunteer Brigade of the Philippines, Inc. City Name 都市名 Activityarea 活動エリア Location 所在地 Phone 電話 Hotline ホットライン Home page http //guardiansfireandrescuevolunteerbrigadesoftheph.webs.com/ Facebook https //www.facebook.com/pages/-Guardians-Fire-Rescue-Volunteer-Brigade-of-the-Philippines-Inc-/ Twitter Mail Map 地図 Organization 組織 governmentagency Volunteer Other Scope of activity 活動範囲 Fire 火災 Disaster 災害 Rescue レスキュー Disaster prevention 防災 Education 教育 Activitylocation 活動場所 Land 陸地 Mountains 山地 Seaground 海地 Equipment andpersonnel 設備・隊員 Fire truck 消防車 Ambulance 救急車 Other vehicles 他車両 Radio 無線機 Members 隊員数 Information 情報 We are Members of GUARDIANS, all Volunteers from all walks of life, Just to save Lives Properties. For Groups or Individual who would like to donate fire fighting gears, Please send message to Mr. Stephen Eric P. Chua Corporate Profile 会社概要 The Final name of the group is Guardians Fire Rescue Brotherhood International Inc. (GFRBII) with SEC No. CN201107594 / TIN No. 008-038-634 Description 説明 Good Day to All, We are looking for fire fighting gear donations from around the world who could help us out here. We need old, used, 2nd hand fire helmets, Turnout Gears, Boots, Hoods, Gloves,SCBA PACKS Masks and other fire rescue Gears. We are Hoping that someone could help us out. Thank you. As of now, we members of GUARDIANS are looking for local, international donors who will donate to us, fire trucks, tankers, ambulances, and fire fighting gears. That could someday may save lives properties. Basic information 基本情報 Guardians Fire Rescue Brotherhood International, Inc.( G.F.R.B.I.I.) SEC No. CN201107594 / TIN No. 008-038-634
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Finnish Orchestral Favourites フィンランド管弦楽名曲集 There is no doubt that the most famous of all Finnish composers mustbe Jean Sibelius (1865-1957), a masterly symphonist who captured the spirit andhistory of his own country in a series of symphonies, tone-poems and otherworks. Finlandia, in particular, became a symbol of the country’sstruggle for independence, a cause in which Sibelius was closely involved. Itwas written in 1899 as part of the music for the press pensions celebration ofthat year, an event that was transformed into a patriotic demonstration againstRussian power. Valse triste, which won widespread popularity in avariety of arrangements but made little money for the composer, was composed in1903 to accompany a death scene in a play by SibeliusEbrother-in-law, ArvidJärnefelt. 全てのフィンランドの作曲家の中で最も有名なのはシベリウス(1865-1957)に違いないということには、疑う余地はないく、一連の交響曲、交響詩、およびその他の作品において彼自身の祖国の精神性と歴史を捉えた主要な交響曲作家である。 フィンランディアは、とくに、祖国の独立への闘争の象徴となった。 シベリウスはその原因を含んだ。 それは1899年に、その年のロシアの圧政に対する愛国kてきな民主運動に変形されるイベントである、プレスpensionの祝典のための音楽の一部として、作曲された。 Valsetriste(「悲しきワルツ」)は、さまざまな編曲で人口に膾炙しているが、1903年にシベリウスの義理のEbrotherのArvidJarnefeltにより祈りにおける死の情景にaccompanyされた。 Leevi Madetoja (1887-1947) was a pupil of Sibelius in Helsinki andlater of Vincent d’Indy in Paris and Robert Fuchs in Vienna. He had a careeras a conductor, teacher, critic and composer, and won particular success withhis opera Pohjalaisia (The Ostrobothnians), composed in 1923, staged in1935 and generally regarded as the first significant Finnish contribution tothe genre. His Elegy for Strings forms part of his Symphonic Suite,Opus 4, of 1910. Born in the previous decade, Erkki Melartin (1875-1937) studied inHelsinki and with Fuchs in Vienna, then broadening his education with furthertravel and study before returning to Finland, where he spent a number of yearsas director of the Helsinki Music Institute. Like Madetoja, he belongs to thegeneration of nationalist composers following Sibelius. Prolific as a composerboth of lighter and of more serious music, he is widely remembered for hispopular Festive March, heard at many Finnish weddings and taken fromMelartin’s incidental music to the play Prinsessa Ruusunea (SleepingBeauty). The Wedding March by Toivo Kuula (1883-1918), whose promise asa leading composer in the generation after Sibelius was cut short by his deathafter the Finnish Civil War, enjoys similar popularity. Armas Järnefelt (1869-1958), another brother-in-law of Sibelius and amember of a family of distinguished talent and strongly nationalist sympathies,studied with Martin Wegelius and Ferruccio Busoni in Helsinki, in Berlin andthen in Paris with Massenet. For a number of years he was principal conductorat the Royal Opera in Stockholm, while as a composer he is chiefly rememberedfor his Praeludium and Berceuse, the popularity of which haseclipsed other works of his. Oskar Merikanto (1868-1924) played an important part in Finnishmusical life. His numerous piano pieces enjoyed domestic popularity, togetherwith his many songs and he made a significant contribution to the developmentof church music in Finland and to operatic performance. His Romance andValse lente have been orchestrated for the present recording by JormaPanula. The reputation of Heino Kaski (1885-1957) depends largely on his pianomusic and one of his best known pieces is his Prelude in G flat major,which he also arranged for orchestra. A composer of another kind is HeikkiAaltoila (1905-1992), who wrote music for 150 plays and more than 75 films. Hisbest known work is his Wedding Waltz of Akseli and Elina, written forEdvin Laine’s film Here beneath the North Star. Even better known inFinland must be the Finnish Prayer by Taneli Kusisto (1905-1988), asetting of words by Uuno Kailas, here orchestrated by Jorma Panula. Einojuhani Rautavaara (1928- ) belongs to a younger generation, apupil of Merikanto in Helsinki and then of Vincent Persichetti, Aaron Coplandand Roger Sessions in America, following this with study in Ascona withWladimir Vogel and in Cologne with Rudolf Petzold. He has remained open to awider range of contemporary influences. Fiddlers, Opus 1, was written in1952 and is derived from folk material. From a rather earlier generation, Uuno Klami (1900-1961) alsorepresents a move away from romantic nationalism towards a wider spectrum ofinfluences, creating synthesis between Finnish thematic material and stylisticinfluences from abroad. He studied intermittently, as funds allowed, inHelsinki and then spent a year in Paris, returning to demonstrate a command oforchestration that reflected the influence of Ravel. His Sea Pictures,of which the movement Nocturne (Song of the Watch) is here included,dates from the early 1930s, a reminder of his own early memories of the sea,near which he spent his childhood. Aulis Sallinen (1935- ) is among the most distinguished ofcontemporary Finnish composers, significant for his operas as for hiscontribution to may different genres of music. Sunrise Serenade followedSallinen’s opera Kullervo and is scored for strings, two trumpets andpiano, a depiction of the transition from dark to light, a message ofoptimism. Keith Anderson (based on notes by Ralf Hermans)